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There won't always be something witty or cryptic or cryptically witty in
this here space, pardner. Some weeks I just don't have the juice, you know?
Hard to concentrate with all these bombs going off. A character in Doug
Liman's new movie "Go" said, "If
everyone had the kind of sex I have, there would be no war." I won't make
further comment on that - after all, this is a "down week" - other than to
say that most battles are won by keeping those home fires burning. Alone or
in pairs, you need to do your bit for world peace. Or world piece ...
oh, whatever. Don't touch me with those unwashed hands.
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THE PRODUCER TRIUMPHS
"Compared to tough competitors like The Onion and Suck, this one-man
operation is about as funny as a winter booger, and cheesy as Don Ho." Gee,
I don't know about that - there's a special circle o' hell reserved for Don
Ho. (It overflows with tiny bubbles.) Tim Cavanaugh's humor site
Simpleton just doesn't belong in the hot spot,
despite a straight, non-belligerent interview with glib "Wear Sunscreen"
author Mary Schmich. (Sure, you were just in the right place at the right
time. Sure. You just made my list, lady.) If Simpleton is a cheese
shop - and I don't at all agree with Cavanaugh's self-deprecating appraisal
- well, at least it's Brie. "Fun with death masks and pulldown menus" gives a funny face to Dadaism,
"Loco-grams" finds the Crazy Gold
on the sidewalks of America and "Big Stupid Idea" puts the screws - at last! - to
Maureen Dowd. Hell yes, it's funny. And it's grown fresh daily, just like a
winter you-know-what.
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CLEAR AS AZURE BLUE
George Lucas has seen the future of filmmaking and film is nowhere to be
seen. The Big Jedi believes the time is now to embrace an all-digital system
of filmmaking, delivery and projection. It's a swell idea, one that the
founders of the Digital Film Festival have espoused
since well before you saw that first Phantom Menace trailer. The revolution
is here and now: films from their travelling festivals, a "how-to" primer
for would-be Jedi, even a ShockWave game that allows you to make your own
digital flicks - complete with club chicks and aliens, just like the ones
playing in analog at the multiplex right now. Viva digital!
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GETTING AWAY WITH IT 1999
My friend and counselor Dayvid once wrote a poem about Johnny Marr. Back
then, Marr was hot, hot, hot; The Smiths hadn't been dead that long and
people were still wondering what Johnny was going to do, to catch up
with former collaborator and faux-desolate soul brother Morrissey. As it
turned out, he did a lot of collaborating - with The The, with Talking
Heads, with Bryan Ferry and most importantly, with New Order vocalist
Bernard Sumner. The duo took the name Electronic and released - to my ears - two of the most
underrated dance-pop records of the past ten years. Now, Sumner and Marr are
due to release a third record - "Twisted Tenderness," April 19 - and I
wonder: will you finally receive them? Will they get their critical due?
Will Dayvid write a poem about Sumner? The band's official site has some
song samples, which is all the proof you need, when you get right down to
it. Nice background wallpaper, too.
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LOUD REPORT
NATO notwithstanding, nothing brings the cream of human nature bubbling up
to the surface like a good, loud backfire. To call what you do
flinching doesn't quite do it justice; your feet, locked in place,
attempt to retract into the safe haven of your head. Howard Stone's Pavement
Terror page puts those block rockin'
beats to work. Finding the delivery van he once drove could be induced to
backfire on command, he did what any sensible prankster would do: mounted a
hidden camera to the rear of the van and caught unwitting pedestrians in
mid-retraction. This is the very nature of humankind, and boyoboy, is it
ever funny when it happens to someone else.
Okay, so I'm a little jealous of Mary Schmich. So what? Any columnist in
America could have written "Wear Sunscreen" too - we were just, you know,
busy. Baz Luhrmann, if you're listening, be aware that I can set this entire
column to a pop-techno beat. Just book the studio time.
The Passenger first appeared on Vegas.com and ran from March 1998 until February 2000.
Back to list of Passenger columns
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